Concerto for Violin, Accordion and Orchestra

Concerto for Violin, Accordion and OrchestraConcerto for Violin, Accordion and Orchestra
Violin solo part for Concerto For Violin, Accordion And Orchestra by Anders Koppel (2001-2002/rev.2007)

Violine, Akkordeon und Orchester Einzelstimme Violine Solo
Anders Koppel Sinfonieorchester (Violin Solo)
Verlag: Edition Wilhelm Hansen KP01878

Looping Busker Music

Looping Busker MusicLooping Busker Music
This work was commissioned by Plus-Minus Ensemble and first performed by them at King’s Place, London, on the 18th March 2013. Duration: 13 minutes.

Violine, Klarinette in A, Akkordeon, Gitarre und Tonband Noten
James Weeks Gemischtes Ensemble for Violin, Clarinet in A, Accordion, Acoustic Guitar (all amplified) and tape (A3 – Four Performing Scores)
Verlag: University Of York Music Press M570364510

Alliage III

Alliage IIIAlliage III
Alloy III for Violin, Cello, Classical Accordion, and two Kokles. The instruments of this quintet are very different in appearance and in the way of playing as well as tone production: strings to be bowed, strings to be plucked confronted with the airborne tone of the Accordion. The origins and the traditions of the instruments are also very diversified reaching from traditional folk music (the Kokle) and popular music (the Accordion) to art music of the classical tradition (the Violin and Cello). Acknoledging these references and connotations I refrain nevertheless from an obvious ‚casting‘ of the instruments, since I have always been fascinated by the less evident, by transitions and gradual displacement, by the intangible places between one and the other. I search for this ‚terrain vague‘ of fruitfull incertainty and permanent genesis. To arrive there, I have in this piece created a musical expression, which makes hidden relations and unexplored sonorous paths come forward between the different sound worlds of the instruments. Bringing together these musical substances, I look for something deeper than just common sounds: a fresh musical place. And the lively and bright sound world that emerges form this instrumental and textural ‚in-between‘ I associate to alloys, in particular the silvery amalgamations of mercury. The work was composed to musicians from the Latvian ensemble Altera Veritas and of Ensemble Aleph (France)as a part of the project European Instrumental Laboratory. Niels Rosing-Schow.

Violine, Cello, Akkordeon und 2 Instrumente Stimmensatz
Niels Rosing-Schow Gemischtes Ensemble
Verlag: Edition Wilhelm Hansen WH31231A

Noten → Alliage III